My letter to Naomi Klein

Naomi Klein is an author whose newest book is titled “Doppleganger”. Last week my husband and I went to hear her talk as part of her book tour. I came home and read her book. I had a lot to process reading it as there were many chapters that hit a cord with me. And so I found myself writing a “letter” to her. Here it is.

I heard you speak in Cambridge MA.  To be honest I was not in the mood to go.  My husband has read your previous books and despite his encouragement I avoided reading them, preferring to spend my energy reading light fiction for escape, such as books by Eleanor Lipman.  I was tired after babysitting my two active granddaughters (ages 5 and 2) all day and was tempted to tell my husband I did not want to go.  But my husband suggested we get dinner in Harvard Square and the thought of not having to cook and clean up pushed me to step away from my computer and make the 25 minute walk that evening to see you.

Afterwards as we walked home we spoke about how nice it was to be in a room filled with others who were saying many of the same things we had been saying about the world.  We are in our 60s and many of our peers, especially those who attended the ivy league college where we met, are enmeshed in the neo-liberal mindset and it has become increasingly hard to talk with them and hear them go on and on about their travel woes or remodeling projects or debate about what new car to buy.  We try to talk about “Tescreal” or the threat of fascism or even the severity of the climate crises and eyes glaze over.

Afterwards I immediately started reading your book. I have been on a reading binge this summer.  I am artist who has been avoiding making art after being super productive during the active phase of the pandemic.  I had just completed a set of drawings about Marcescence and how nature has it’s own plan.  The work was not understood by curators resulting in rejected applications for residencies so I could continue working on the project and rejected entries for shows.  The rejections put me in a bit of a funk, which normally I can ride out.  But I am also dealing with elderly parents who have had a disastrous move to an independent living facility.  And my mother’s struggles with depression triggered by this move has only contributed to my feeling too emotionally exhausted to make art. My reading binge has made me a stronger and faster reader allowing me to consume your book.  There was only one sentence about how elder-care is not really about care,  yet it captured how frustrated I was by the the marketing that sold my parents on a place that looked more like a hotel than a home, provides institutional meals that seem short on nutrition and as it turned out offers limited services if one is in independent living.  

So why did I hint you might be MY doppelgänger?  Well I am short and Jewish and have shoulder length hair and wear similar style glasses.  I am older than you and in many ways we are not at all similar.  You have a public persona and brand.  Despite having made what I feel is a large body of work as an artist, being praised and respected by fellow artists and mentors and even twice short listed for London’s Royal Academy Summer Exhibition,  I am mostly unknown outside my personal circle.  You have had a long successful career.  I have spent the majority of my life devoted to being a “carer” for my children, husband and parents.  Your father exposed you to all the nuances and details of birth.  I probably did the same to my own three children as a La Leche League Leader and home birth supporter. You entered motherhood with indifference, I entered hyper focused on the desire to be a good mom convinced all children have something magical to bring to the world.

We both have neurodivergent offspring.  I have three neurodivergent adult children, but our middle son  is more divergent than the others resulting in us investing a lot of time and energy trying to pull him through.  And now I am pretty sure at least one of our grandchildren will be neurodiverse.   My children are not on the autistic spectrum.  They each have a complex mixture of learning disabilities and mood disorders.   It sounds like your experience and my experience of parenting a child that does not quite fit into the system led us to the same conclusions about education and the pandemic.   My experience navigating K-12 education exposed many myths about education. My middle son struggled horribly in our top rated public school and barely graduated from high school.  He failed Algebra five times and we ended up in a legal battle with our school system to try to get him educated.  He is now a professor of mathematics at an ivy league university.  As an aside when you spoke about the impact of the Individual with Disabilities Act on American special education it touched me.  Larry Kotin and Bob Crabtree were two of the lawyers who who helped create that law.  Larry Kotin was our lawyer when we had to take on the Lexington Public Schools to try to get our son educated.  He was an amazing kind, intelligent and passionate man who is missed by many.  Sadly he died of Parkinsons during the pandemic.  Larry had even tried to help my neurodivergent Sister-in-Law after she graduated from law school and was floundering in her late 40s to land on her feet. He was a special person.

My experience left me wondering why we were not using the pandemic to rethink our prison like educational system. For a few years after helping our son through the system I was an educational advocate and I observed how widespread the problems were.  It used to drive me crazy when people would tell me our son was “unique”.  Isn’t every child unique?  But more importantly I knew from conversations with other parents that his struggles were shared by many.  When you wrote about schools and your experience as a mom of a child who is neurodivergent,  so much of what you said resonated with me.  And more than once when I was reading the chapter you wrote on autism, I wished I could reach through the book and give you the hug us moms give to those “get it".  I found my eyes filling up with tears remembering our journey raising our kids in an upper middle class neo-liberal community, especially after your story about your son at the park playing with the “perfect child’.  The community I raised my kids in was the same community I was raised in and it happens to be the same community Bill Mckibbin grew up in.   My brother (Marc Pershan) was a good friend of Bill many many years ago.    it was not easy having children who clearly were following their own unique path to adulthood and not checking off all the boxes expected of them.  More than once I felt judged as a person by other parents because of who my children were.    My husband and I would often comment on how our fellow upper middle class parents would act like their child’s achievements were their achievements and judge us for our child’s struggle.  After one particularly bad day someone said to me, “Jill you are raising Diamonds”. It was the perfect thing to say to me on a day when I felt like I had coal smeared all over my face and hands.  But sadly not all children are destined to be diamonds.  And some parents are raising other less shiny minerals that will require them to work as their advocates and carers after they age out of the system.  I have a friend who has an adult son with Smith Meninges Syndrome.  Her child will never grow out of his troubles. Another mom I know lovingly cares for her adult son with intellectual disabilities.  These women are lucky to have resources and money to continue to support their disabled adult children but what about the single mom working low wage jobs whose son ages out of our education system?  How do they navigate a world that dismisses caregiving as being of little economic value?

Like you I wondered why we did not use the pandemic as an opportunity to give children more exposure to nature by using the outdoors as a classroom, fix unhealthy school buildings and finally address what was an already evolving mental health crises among our youth caused by a goal oriented education system that leaves little room for failure.   Instead everyone jumped on this bizarre Zoom virtual learning bandwagon without thinking critically and expansively about pandemic education.  I cringe when I remember how on a beautiful fall day in 2020, a mom in our neighborhood park, who also happens to be a pediatrician, tried to reign in her two very active, bright, creative twin boys so they could do Zoom Kindergarten.  It didn’t make sense.  The boys were zooming around the playground like Tasmanian devils. There were a few close calls when they threatened to crash into my toddler granddaughter or another small tot.  But it seemed a shame to discount what they were learning about their bodies and physics that morning.  I tried to convince the mom to just let them skip Zoom, but she felt they would miss something although I can’t remember what specifically.  Why could the money that was spent trying to outfit low income children with technology for virtual learning be spent  on staff and transportation to take them outdoors and into nature?  Wouldn’t that have been healthier for everyone?  The children would be out of the house.The teachers would be able to care for the children in person and do what they do best and the exposure to nature would be invaluable. Meanwhile much needed maintenance and repairs could be done on the empty school buildings making them more pandemic friendly.  Instead of using the pandemic as an educational portal we stuck a band-aid on a gaping wound, turned our backs and then allowed the issue to become “food” for those in the mirror world.

 I was infuriated by Emily Oster’s insistence that the covid crises had triggered a mental health crises among parents and kids and it was vital we reopen day-cares and schools well before vaccinations were introduced.   Her failure to consider the health of those who work in schools including the janitors and lunch ladies,  was callous, but also in her writing she indicated that all that mattered was getting the children out of the way so parents could work.  I confess to being disappointed in your not mentioning Emily Oster in your book.   For me she, and others like her, are a dangerous products of our neo-liberal late capitalistic system.  She claims to use data to support her own neo-liberal desires while totally ignoring the larger global system she is part in.  She feels comfortable and entitled to comment on public health as an economist and often ends up making claims that promotes her own economic well being and fails to consider the larger landscape.  Her most egregious declaration is that it is fine to have the occasional glass of wine during pregnancy.  A declaration that has the potential to do considerably more damage than good.  And I understand she probably did not fit in with your doppelgänger narrative but I do think if there is going to be a conversation about Shadowlands and Mirrorworlds we need to talk about the opportunist academics like her.  Increasingly there is a whole class of academics who value book deals, Ted Talks, YouTube videos and influence over actual academic integrity, such as Prof Gino at Harvard Business School.

Returning to parenting a child who is different.  We were very lucky to land in the office of a unique child psychiatrist who said to me early on, “Nothing you did could have caused this.  Even the worst parenting does not result in this.”  Unlike most child psychiatrist this doctor believed it was important to treat the whole family and not just the child.  Over the years he became a marriage coach, parent coach, mentor and somebody we consulted anytime we were prescribed any new pharmaceutical.  He himself as you will see later on in this email made a diagonal move as a doctor.  But this diagonal move was one that the entire psychiatric world should make.  Sadly in my years volunteering for the Depression and Bipolar Support Alliance I saw how insurance companies had made it almost impossible for most parents to get the sort of psychiatric care we were receiving.  

 I suppose since our son did not have autism we fell into a different category in terms of hope about “fixing” his challenges.  I knew from my own experience as an ADD/Dyslexic that there were better ways to learn and I did not want him to be limited by his disabilities. I had spent years as a LLLI leader having mother’s call me in tears after their doctors failed to diagnosis simple things like Thrush or Mastitis or the doctors would confuse the two and make the mom worse by treating the wrong illness. Turns out most doctors are only given 1/2 a day of education about infant feeding in medical school.  And this has resulted in a whole new industry of lactation professionals who are able to charge for their services. As a La Leche League leader I read about birth and by the time I gave birth to my third child I did not trust the hospital system to give me a birth that respected me and my vagina.  I had a home birth with the midwives who founded Seattle Midwifery College and had no episiotomy and almost no tearing.  I felt normal after just a few days.  With my two previous births it took months to recover.  This experience resulted in me having a healthy dose of skepticism and distrust around modern US medicine and extra sensitive to how it puts profit over patient..

So when it came time to seeking help for our son after trying conventional medicine for a few months and reading about the medications the doctors wanted to use on our son (my husband and I both have math backgrounds equipping us to evaluate the clinical data and probabilities) we came to the conclusion that given the state of pediatric psychiatry our son was better off untreated than treated.    Thankfully we were here in the Boston area and the doctor did not boot us out but instead suggested we contact her professor from Harvard who was also the founder of the Journal of Child and Adolescent psychophamarcology.  Apparently he was researching a micronutrient treatment that seemed to help children like out son.  And even if we decided to not use the treatment she felt my husband and I would get along with him.  And we did and the rest is history.  We worked closely with him and he helped us pull all three of our children through to adulthood.  It was not easy but we did it.  During that time many who believed the only thing that would help our son was conventional pharmaceuticals felt we had become alternative medicine hippies and expressed skepticism about our “little experiment” (as one person called it).  Meanwhile this doctor and his fellow researchers who were in Canada were struggling to get clinical trials up and running.  Their goal was to make it so doctors could prescribe these micronutrients as they might prescribe a pharmaceutical.  But neither government wanted to set a precedent for treating supplements as pharmaceuticals lest they take away from the huge supplement industry.  And so despite working closely with the FDA Dr Charles Popper and others were simply never able to get enough money and resources to run a clinical trial and make the treatment which helped all three of my kids available more widely for use in clinical settings.  I always cringe when I hear people go after the supplement industry because although the supplement industry is filled with quacks and scammers the division between lab made products and supplements has created a landscape where doctors claim pharmaceuticals are more powerful or better than they are and those who sell supplements make dangerous claims.  But the reason for this division has nothing to do with patient health and everything to do with extracting capital from those who are in need.

 Right around the time Trump was elected in the US we were in London and saw “Angel’s in America” at the National Theater.  We also saw a talk balk with Tony Kushner the author of the play.  After that talk back I desperately wanted to sit down with him at a pub.  If only to commiserate and share how unsettled we felt.  And that is a bit how I felt after reading your book.  I just want to sit and have coffee and commiserate.    I lost one of my closest mom friends who said she found I exaggerated the climate situation too much and she did not want to be friends anymore.  I want to scream as I watch all my peers fly all over the world to make up for their lack of vacations during covid.  Why must everyone suddenly feel entitled to a vacation in Italy suddenly?  Can’t they see the world is burning?  


Turning 60, Summer's End, Climate (as always) etc....

So today I am 60. It is hard to believe I am 12 times as old as Roen who will turn 5 in a week. I want to be able to say to myself that 60 is the new 50 or that age doesn’t matter. But my body is telling me otherwise. I continue to struggle with my back and tendinopathy. The shockwave helped but I am still far from being where I want to be.

60 also feels different. When I turned 30 I was a young mother and life was exciting and I thought I was exactly where I wanted to be at 30. When I was 40 I was so focused on helping our middle son it seemed nothing else really mattered. When I turned 50 we had an amazing summer. I attended Origami USA In NYC and we trained and cycled Ride London riding 107+ miles in one day. I felt physically strong. I had been shortlisted by the Royal Academy for the summer exhibition and although the work did not get hung I knew it was good and I felt excited about my own art creation.

But my 50s were filled with big changes. I lost a dear friend who was close to me in age to breast cancer. And every time I experience a graduation, a marriage, a birth I am reminded that this friend did not get to see her 5 children morph into the adults they are today or get to know her grandchildren. It is a reminder to be grateful.

And how grateful I am for the blessings that happened in my 50s. My kid’s significant others are amazing incredible people. Each one brings something essential to our family. And those grand-girls. Well if you have read any of my blog you know how much they mean to me and how much I enjoy them. Even if they do exhaust me. This weekend at the Norwich VT Farmer’s Market Roen and I looked at the crafts and saw somebody selling necklaces made from paper beads. We bought a tool to make paper beads at Learning Express and I was helping her make them on Tuesday. While making the beads Roen just stopped and said, “I love you Grandma” and my heart melted. The 2 year olds are both so different and yet so similar. I love the way Nikko who is obsessed with mermaids calls boobies “seashells” and the way Maeve is a little clown. Maeve had an ear infection this week and told me she had a “Witch” in her ear. I love the way Nikko recites and sings “Cat Problems” while running around and the way Maeve recites songs from school. My kids are in interesting careers and I respect and marvel at what each one has achieved already professionally.

I am grateful to not have lost a parent yet. Many of my peers lost their own parents during this decade and I need to be grateful that Roy and I still have all four of them. But it has been hard watching our parents age and it is hard not to look at them and their choices around aging and think about our own aging and what we want and even what will be available to us. I once asked Roen to get off the running board* on the stroller so I could more easily push her sister and stroller up a hill. Roen complained. And I joked that someday she might have to push me up a hill when I am old and frail. Without missing a beat, Roen said, “No I won’t, my mom will.”

*For those who don’t know running boards are these little standing platforms that attach to strollers so an older kid can stand and be pushed.

But back to me. The problem with this new decade is frustration. The return to “normal” after covid left me despondent that humanity is going to be able to address climate change. I never imagined staring at an existential crises that is going to define the future for ALL moving forward. And I am fearful of what the state of the planet will be like in the decade to come. Are we not supposed to leave our children a better world? What have I done in my 60 years to contribute to this crises? The cars I drove? The flights I took? The meals I ate? The stuff I bought? Everyone who is an adult living who participates in capitalistic practices has their share of blood on their hands but how are we to make a difference? What responsibility do I have, do my peers have, does anyone have? Should I lie in front of traffic, get arrested, throw paint in protest? So much needs to be changed to make things right and yet too many in power don’t seem to care or have the will power to change it.

I have been involved with local farming since the time my children were born and I have seen the changes especially here in New England due to climate change. Farming likes predictability. But climate changes means there is little predictability to be found. This summer was catastrophic for some farmers and it breaks my heart. This time of year when the harvest peaks and it is a time of so much joy for somebody like me who likes to cook. I often freeze what I can so I can have a burst of summer in February. But this year with the tomatoes being lousy and expensive it is just not worth it and that makes me sad.

This is 60!!!

The Spaces we Inhabit, lost art and friendships

So a friend sent me a real estate listing for the town I used to live in and my stomach started to hurt. The listing was the house of ex-friends’ of ours. For years this couple’s boys and our boys played together. Our youngest were close friends until high school when they went their separate ways. Our eldest boys stopped being friends around the time our middle son started to struggle. But I remained close friends with the mom until suddenly she ended our friendship. My husband and I both respected and liked her husband. We enjoyed hanging with them as a couple. There was some tension around this because another couple they were friendly with had for totally inane reasons decided he disliked my husband because of the company he worked for. I would often talk with the mom several times a week. And she was somebody I felt I could share almost anything with. She was the first person I called after my parents when my granddaughter was born and I felt like she was a sister of sorts to me.

Seeing the space in real estate photos brought a wave of emotions. I had spent quite a bit of time hanging out in that space. I have memories that used to be positive but are now tainted because I still do not quite understand what happened that resulted in her decision to eject me and my husband as a friend. Although I do know based on our last conversation that she disagreed with me about the climate emergency, which continues to baffle me since she liked to think of herself as somebody who was scientifically literate and we had brought her to hear Al Gore speak at Harvard years ago. I imagine politics also played a role. With Trump’s election I was adamant that those who were voting for him because of their political ideology were turning a blind eye to the racism and sinister aspects of the party. Which historically has led many a nation and country down an ugly path. I imagine my language around this was difficult for somebody who had family and friends who were Republican or Libertarian. But because this person was unwilling to have “hard discussions” it will always be a mystery.

When somebody decides to cut you out of their life and not communicate with you it leaves a strange void. It also left me with a lot of distrust around her past actions. We had been very generous with them as friends. In fact I had given her quite a bit of art and furniture over the years. Often it was art she expressed an interest in. We paid for numerous meals out knowing they were not quite as well off as we were. When she cut me off I thought about asking for the art back. I did ask for some chairs back. I didn’t really want the chairs and instead she sent me a check for them, which we cashed. But since the art had no clear monetary value and I did not necessarily want to store it, I let it go. Now I imagine that art ended up in the trash and I am incredibly sad about it. Friend’s and fellow artists in Lexington said they happily would have collected it if they had known. Last summer as my work was gaining some traction and recognition I probably would feel bold enough to email her and ask what happened to the art. This summer I am not in as confident a place again but also I fear that what is done is done and there is nothing I can do.

Meanwhile what am I working on artistically. Well I have sunk into craft and reading as a distraction. Right how I am embroidering a denim jacket for my granddaughter and reading a lot. I just finished “AfterLives” by Abdulrazak Gurnah which was an epic and beautiful novel. Back to reading something fun and light I am reading Eleanor Catton’s “Birhmam Wood”. And we are walking and cycling. And I am trying to still deal with my back.

We saw a monarch laying eggs. Could it be one of the monarch butterflies we raised? We took an egg on a leaf home and now it has hatched. We have a baby caterpillar. Not sure if it will make it but it is very cool.

Reviews: Bedlam's "Angels in America", "How to Blow up a Pipeline" (the movie) and "Enter Ghost" by Isabella Hammad

I have not been making a lot of visual art these days. Not sure why. I have suffered shut downs before and I know I always return. I made an interesting small watercolor/charcoal piece the other day but it is not worth posting, But it has some good parts to it. I keep reminding myself that sometimes in the summer my creative energy seems to be directed elsewhere and to be patient.

But I wanted to use my blog to talk about art that is impacting me. Two weekends ago my husband and I saw Bedlam’s production of Tony Kushner’s Masterpiece “Angels in America”. The thing about Tony Kushner’s script is that it touches upon big issues of humanity, capitalism and religion. The script is every bit as relevant today as it was when Aids was dominating the news. And in a post-Trump, covid world the messages in the play seem even more significant than ever. Bedlam, whose artistic director Eric Tucker, is known for doing a lot with very little, managed to pull off this epic play with a small cast and minimal set. And one thing I love about such productions is that one is not distracted by the bells and whistles and lights and costumes but can really focus on the language and what is being said. And although I missed Russel Tovey (he played the mormon in the NT production we saw several years ago and I adore him) I felt like everyone in the cast was strong and did a great job.

Yesterday we saw “How to Blow up a Pipeline” based on the Andreas Malm book of the same name. The premise is a group of young people who are so despondent about the failure of anyone to address the climate and environmental crises decide to blow up some key oil infrastructure as a way of sending a message to world that something needs to be done. And having listened to Andreas Malm in a podcast this idea is perfectly rational given the number of lives that are at stake if we do nothing. The movie was thrilling and a fun 2 hour ride. But I found the “Disney-esque” casting of the young people very distracting and it resulted in me feeling a bit of distance between them and the real young people I know who are struggling with these issues today. Roy and I disagree on this one. He felt the casting was fine and probably a result who who came together to make the film. But for me when everyone looks like a model, or an ex-child star who is living a very privilaged existence it is hard to accept them for the complicated people they are representing. The one exception being the Native American Cast member. Still I think it is an important play for anyone thinking about the current state of our inaction around climate change. What are we morally responsible for? If by inaction many die then doesn’t that make us complicit.

The other review is the book “Enter Ghost” by Isabella Hammad. As an American Jew with parents who were immersed in the conservative movement in Judaism I had my share of Zionistic propaganda thrown at me in my childhood. I grew up attending Hebrew school and being fed a diet of romanticized images of Kibbutz and Israeli life. I am not sure why it made me uncomfortable. I was just a child with little knowledge of life beyond my own privilaged upbringing. I suppose in a weird way I was more drawn to the colorful diversity of Sesame Street and the deep green rainy world of England and the vibrant exoticness of India than I was to a land that seemed to my child like eyes unaesthetic and very dry and brown. As an adult my knowledge of complexities behind Israel has always been very limited. I do remember questioning right wing Israeli politics and settlements in college. Even as a young Jew in college who was hanging out at Hillel I found the demonization of Arabs and the assumption that the Israeli Jews were superior to be abhorrent. I have tried to educate myself and I often end up thinking there are no heroes and plenty of guilt on both sides. I find myself asking “Why and How did this happen?” I realize in a post WWII world decisions were made in reaction to horrors but struggle to understand why those making these decisions did not see the problems they would create. “Enter Ghost” takes place in the West Bank among a group of Arabs who want to put on an Arabic Hamlet. The main character is a 35 year old London Actress named Sonia who is returning to visit her sister in her parents ancestral land. Sonia at 35 is confronting being a childless middle aged divorcee and no longer a young woman. She arrives in the west bank as a European but with a family who has a history and relationship to the crises that she herself must confront. And Isabella Hammad delivers a compelling story about Sonia’s journey using Hamlet as a backdrop for her to confront all these issues while also educating readers about what life is like for educated Arabs living in the West Bank, including the theater of propaganda that gets sent out into the rest of the world from the region. I am so glad I read this book because in addition to giving me some interesting insights into Shakespeare due to the Shakespeare being translated first into Arabic and then back into English, it educated me about the Israeli-Palestinian conflict and the struggles of those who are living with it every day.

Now the question is 3 works of art that all deal with issues I am passionate about: Capitalism and the problems it creates; how we ignore those who we deem as other and allow them to suffer; The failure of religion to provide any true moral guidance and minimize suffering; And the persistence of Angels and Art and Spirit despite all the horrors in the world. So what is next for me? I need to find a way to express this on paper? HELP….Well stay tuned.

Open AI, Dall-E, Chat GPT etc.....

I am not alone in playing with AI and exploring it’s potential. When Dall-E first appeared last year I was skeptical. I was not super impressed with the images being generated. But at the same time I confess to feeling a tad threatened by it’s ability to create images using any style already in existence. I could easily see it being used as a tool by graphic designers, illustrators and film but I was less convinced about it’s role in fine art. And part of the reason was it definitely lacked the ability to get super messy or even creative and take risks. Now maybe that will change over time as it learns from more and more images. I have not played with Dall-E in a while and so far I have been able to spot images that are AI Generated compared to human generated.

Although I have not found it particularly useful for writing I have found it to be reasonable for editing what I have written. That being said I have not used things like Grammerly which might be just as good.

What AI has been good for is medical knowledge. I have asked it for multiple medical questions over the past few weeks and found the answers it gave me to be better than just googling the medical condition and in some cases more thorough than the doctor’s explanation.

Today I wanted to test out it’s ability to analyze art work. I created a web page on my site called “For AI” and uploaded a photograph of one of the still life set ups I work from and one of the drawings I am working on to see if AI could “teach” me anything about art and what to do. I have to say it performed as well as some of my art teachers have in the past and not as well as some of the best art teachers I have had in the past.

Here is what it said after showing it the drawing and the photograph and having it analyze both multiple times

Based on the still life you provided, here are some additional recommendations for the artist to improve the drawing:

1. Refine the shapes and proportions: In the drawing, some of the shapes appear a bit distorted and not quite accurate in terms of their proportions. The artist may want to spend some time refining the shapes and checking their proportions against the still life.

2. Add more texture: The still life contains a variety of textures, from the smooth glass vase to the woven basket and rough pomegranate skin. Adding more texture to the drawing can help create a greater sense of realism and interest. This could be done through techniques such as cross-hatching or stippling.

3. Increase the tonal range: The still life contains a wide range of values, from the deep shadows of the basket to the bright highlights on the glass vase. The artist could work to increase the tonal range in the drawing to better capture these variations in light and shadow.

4. Pay attention to the edges: In the still life, some of the objects have sharp, crisp edges while others have softer, more diffused edges. Paying attention to the edges in the drawing can help create a greater sense of depth and realism.

5. Experiment with composition: As mentioned earlier, the composition of the still life is quite simple. The artist may want to experiment with different compositions, such as cropping the image or changing the placement of the objects, to create a more dynamic and interesting composition.

By implementing these suggestions, the artist could create a more refined and visually engaging drawing.

Openings-Marblehead Variations Show

I entered Marblehead Variations Show this year and had one piece (I wrote about it in a previous post) accepted. I am not a huge fan of openings, but my son, wife and daughter came up for the weekend and were eager to return to Marblehead as they had a fun time going there last year. Our son loves the ocean and I think misses it living in the upper valley NH. It was a miserable cold and rainy day and if they had not been here I am pretty sure Roy and I would have talked ourselves out of going.

Now the show this year had a different feel than the previous year. It felt somehow “safer” and the art work more generic and less interesting. Last year in addition to my piece that won the award two other charcoal drawings I had made were chosen. Neither of those drawings are what I would call conventional. In my opinion they are very emotional works of art. Also chosen last year was one of Gay’s work about a woman’s prison. Amy’s unconventional crab painting also was chosen and won a prize. Both Amy and Gay are in my peer art group. Last year I remember seeing several works that really had me excited and the show felt like it was capturing where art was going rather than where it had been. It was exciting. Maybe it was just post-covid excitement. But everyone in my family who was at the show this year (Husband, son and daughter-in-law)agreed this year’s show did not hold up. Gay was at the opening as well. In fact our pieces were in the same room on either side of the door. And she also agreed with me about the show.

Oh well. On a positive side sweet Nikko loves “The Little Mermaid” or at least certain parts of it which she has watched over and over again. When we took her to see the ocean the waves were crashing against the rocks and at first she was scared. But then mom said, “That is the ocean. That is where Ariel lives.” and at first she got a surprised look and then a huge grin covered her face. It was very cute.

Spring Holidays

This week is Passover and Easter. For many years Passover has been a time of sadness for me. When our kids were young we would gather with my brother and his family at my parent’s house. We were a big crowd and a bridge table needed to be added to the dining room table set up. There were all six cousins, my brother and his wife, my parents, my mother’s brother and his wife and the five of us. But there was always tension around religion and discussions that that were part of the passover seder. My brother and his wife are Orthodox and their children attended very religious schools. They arrived prepared to show off the the work they had done at school relating to the holiday. Although my daughter and youngest son attended Hebrew School neither was particularly invested in the material around Passover.

When I was young my parents were reform Jews. As they aged they became more religious influenced by friends who were conservative-orthodox in their practice. I always got a sense that they had not quite sorted out who they were when it came to religion or why they engaged in some practices and not others. They were inconsistent but also rigid around what rules they chose to follow and what rules they felt they could be flexible with. Often their decisions around how observant they should be seemed arbitrary and based on the choices of others rather than a concrete commitment to religious practice. My children and husband found the strict approach to religious practices intolerable especially since there was very little compromise or willingness to listen to our point of view when discussing the Haggadda (the book Jews read at the formal Seder Dinner). As my children became teenagers the boys discovered atheist and humanist philosophers sealing their belief that there was little value in religious practice or thought. My mother became tired of doing Passover Seders and it was made even harder by the demands my brother’s family would put on her during that week when it came to food, which had to meet very strict kosher guidelines.

One year my parents decided to go to my brother’s in Chicago for Passover thus ending the annual gathering of cousins. There was no way my family could travel to Chicago. My son and daughter were in difficult places and struggling with school and life in general. I confess I felt abandoned that year. In the year’s that followed we attended Seders at the homes of less religious friends and always had a wonderful time. I would take a deep breath knowing I was eating food that would not meet the strict passover guidelines my parents had imposed on the holiday. But I always left those seders feeling “free” and joyful. The joy contrasted with the bitterness I felt about how orthodoxy had soured what could have been a lovely family gathering. Since the kids have become adults and married there were years when we hardly had a Seder at all. There was the year we went to a house of friends of friends of ours in London for dinner on Passover and had a particularly memorable evening. I gave up strictly following the passover dietary rules at some point along the way. These days I might avoid bread and other foods that are specifically not Kosher for Passover during passover week but I am not about to spend a fortune just to buy a product that has been certified Kosher for Passover. And if I have a social event or find myself eating out that is OK as well. More importantly I have grown comfortable disagreeing with my parents and brother about religion.

This year my kids all pushed to have a Passover gathering. It was very sweet. And although Ethan’s teaching schedule meant we had to have our “seder” a night early we managed to pull off a gathering with all three kids and their significant others and the 3 grand babies. My in-laws came. We had traditional and untraditional foods. I even managed to make egg-free matzoh balls for Chris and Nikko. Roen made regular Matzoh balls with me and of course she had to experiment with making them in different shapes, which much to my amazement actually worked!!!! There was a snake and some ball with snake on top of it so it looked like a girls face, which I scooped out for her to eat. And a wonderful time was had by all. The Afikkommen was hidden and I gave each of the girl’s a pretty flower seed packet to plant as their reward. But best of all everyone agreed we needed to work hard to make this a tradition. It is not easy with everyone’s schedules and work but I think the precedent has been set and as long as we can remain flexible hopefully it will happen.

Spring

I do love spring with the warmer weather, flowers and trees starting to burst with life. But I do not love the allergies which seem to be getting worse for me with every year. I take my antihistamine regularly but it seems like it is just not enough and with each passing year I am increasingly aware of the brain fog that overwhelms me when the allergies kick in. I am continuing to work but something is just not happening on the paper. At least nothing I am happy with. It is frustrating. I took the “pretty” painting to the framers to deliver to Marblehead’s variations show. I am still feeling frustrated that none of my marcescent drawings were accepted anywhere. I stand by them and feel they are powerful and strong. I have been messing with ink a bit. Thinking about the upcoming farm season. Planning our Passover gathering and excited about the possibility that all three kids and their partners and kids will be together again. Praying the endless illness plaguing the little ones this winter stalls so we can gather.

I continue to remain super frustrated about the state of the world with regard to Fossil Fuels and Climate. I feel so powerless. How can we know we are marching toward our own extinction and not act? Are people really that selfish and inflexible? Oh what lies neo-liberals tell themselves with regard to eating meat and flying and plastic and driving and all the other things we do that perpetuate our inability to create a better world before it is to late to do so.

Reflecting on an abandoned drawing

I have been working on a new drawing in the Marcescent series and I made an initial drawing that I abandoned because I decided I wanted to adjust the still life in order to improve the overall composition. But when I moved part of the still life the whole thing collapsed and I had no choice but to start over. What is interesting is that now when I look back at that initial sketch/drawing I actually like it as is. It has an energy to it that I loose as I get tighter with the drawings I am making. I think I need to wipe away and redraw parts of the second drawing to capture the energy in the collapse. The top one is dancing. The bottom is stiff and posed and not quite what I want. It is interesting to look at them both side by side. I wish I had a wall to pin them up on. Dang I wish I had a studio to work in!!!

Work work work

I have been working hard on the Marcescence series. Still working in charcoal. It is a bit hard to leave the charcoal and experiment with ink again because I am still finding things to say. Yesterday I was going to travel to the ICA to see an exhibit I really want to see. But then something “Popped” in my knee and it was rainy and I realized it was the Friday before February Break and traffic would be awful and I REALLY wanted to work on the drawings.

Taking Risks-residency applications

Last year for the first time in my art career I felt ready and eager to do an artist residency. Since money is tight I only applied to residencies that are fully funded, which are obviously more competitive. Although I did not get a residency, I was in the final 10 applicants for one residency and I was wait-listed for another. which made me proud. At the same time I also was a bit relieved as looking back I am not 100% sure my thinking about what I wanted to accomplish while attending the residency had gelled enough and I had a lot of disparate ideas about what I wanted to accomplish.

This year having worked on the “Marcescent series” something clicked and a strong vision and desire of what I want to create and how I want to go about creating it emerged. It’s like I finally have figured out how to turn all my little works and ideas and visual poems into one giant masterpiece. And that vision occurred when I saw Roen looking at the Asian Screen at the Harvard Art Museum and remembering how much I loved the shifting perspective in the Ancient Chinese Scroll at the British Museum. I imagine the Marcescent series being immersive. As I said to Joel when talking to him, I want the viewer to be drawn into the tangles and feel themselves pulled into the chaos so they can come out the other side.

I am not sure what compelled me to apply to the Macdowell Residency. But the application seemed easy and it only cost $30. As always what starts out as a simple one day project to write up my idea, grows into a multi week project of edits and re-writes and reimagining of my goals and project. I confess I enjoy this process almost as much as I enjoy drawing. The problem is that what begins as a random shot in the dark…a long shot that I fully expect to be rejected…morphs into something I am super attached to and determined to find a way to make a reality. I am trying to figure out if I could make this evolving scroll about Marcescence in the limited space I have. Or maybe I need to periodically pay some money and go to Turtle Studio. I had a dream about Turtle studio last night and maybe that is what the dream was telling me. One thing I think I am going to do today is order a roll of paper (not too big so I can work on it in our apartment and start playing around and seeing what I can do in this space. Watch for scissor forests and fallen structures and wild plants to take over. To be continued. Meanwhile I need my photographer to get well so I can get the hi-res images I need. Yikes

The benefits of limitations to the creative process

I have written before about how my granddaughter has allergic colitis. This happens when infants and toddlers have trouble breaking down certain proteins and so it irritates the gut. It is something they grow out of as they get older but it means that for some babies the only solution is to be on a very restrictive diet until their gut has matured, New foods have to be introduced slowly. The result is that our son and family can’t eat take out and when they come I have to cook and bake for them, avoiding dairy, eggs, soy and legumes. It has not been easy but I have also found the restrictions have broadened my repertoire of dishes and has resulted in some creative hacks and new inventions in the kitchen that are quite tasty. Where before I had a catalog of dishes I would make for the family. Now I have explored various pies and cakes, made new grain dishes that do not depend on rice, and found ways to create interesting vegan main courses without using tofu or legumes as the primary protein.

Something happens when you are given a limited palette. When everything is not available it makes it easier to come up with new and fun combinations. It is easier to experiment without fear that you will mix all the colors and end up with a muddy mess. It is a reminder to me that as I think about returning to color with my Marcescence images I should consider limiting my palette at first. I am glad I returned to charcoal initially but now I am thinking this week I need to go back to color and find a way to use color to convey what I feel I am successfully conveying in the dark charcoal drawings.

New Images-Art and Climate Change.

I posted a new web page on this site for the first time in a while. Marcescance is the withering and persistant retention of dead organs. It refers to leaves which stay on certain trees all winter until the new leaves emerge. The money plant featured in many of these pieces has leaves that are marcescent. The term could be used for all those things people are clinging to despite the knowledge they are harming the planet, such as flying. This morning I listened to a podcast from Art Basel about climate change. At first it was annoying as the various panelists gave lip service to what artists and gallery owners should do to support indigenous communities, suggesting they donate a portion of their profits as an action to fight the harm being inflicted on indigenous communities by climate change. It was not until the end of the podcast that flying and the huge amount of carbon spent by the wealthy traveling to attend Art Basel from all over the world was finally brought up. Indigenous people need their land and their planet to not be destroyed by our addiction to carbon more than they need money. And I almost lost it when one panelist explained that she did not take a train to Art Basel because then she would have had to spend an extra night in a hotel. But the insanity of that is if she was really paying the true cost of flying to our planet the train and extra hotel night would be considerably less expensive.

In addition to climate right now there is also military policing and the death of Tyre Phillips, Gun violence, a corrupt food supply, and unions that are finally standing up and saying it is unacceptable to pay those doing the actual work so much less than those who rule over them. ….oh and covid….YUP…Covid is still here!!!

A Joyful Day of Art

Mass College of Art has had the most magical installation by a Portuguese Artist named Joana Vasconcelos called Valkyries Mumbet. It is a giant 2 story creature made from various fabrics and crocheted yarns. I think of it as a joyful version of Louise Bourgeois’s mama spider. We initially saw it when Ethan, Chris and Nikko were here in December.. But I knew I wanted 4 year old Roen to see it if possible. All the color and combinations of textures would excite her. Fortunately this weekend they were having a closing party for it and everyone was finally healthy (at least for now). My in-laws were visiting and it would be the perfect activity to do with them because then we could go over to the MFA.

There was grumbling about walking from the MFA to this exhibit. But I knew as soon as Roen saw it she would be engrossed. It was lovely to see it on it’s final day as there was music from Berklee Global Jazz (the same program Isaac graduated from) and boy were they good. Isaac better watch out because this next generation of musicians sounds AMAZING. As expected Roen was transfixed by the magical creature. But then discovered the craft table where they had a button making activity with sparkly washi tape and fabric scraps from the fabrics used in the installation. Roen could have spent the rest of the day at the table if we allowed her to. Maeve also enjoyed the creature. Where baby Nikko was afraid of it, I think Mae wondered how she could climb it. She also enjoyed the Jazz. It would have been fun to have Nikko there given that Nikko enjoys Jazz music.

After lunch while Mae napped we walked around the MFA. Roen’s eyes were just big the whole time and you could tell she was really looking and thinking and processing everything she saw. It was fun to take her into the Cy Twombly exhibit and watch her turn around to Roy and ask him the questions I was asking her, “What do you think the artist was thinking about when he made that picture Grandpa?”

But it was once back at our apartment when the magic happened. You see I rushed to clean up my still life and work area in the morning so the whole family would be able to eat dinner at the dining room table. My mother-in-law showed up with a square pad of watercolor paper for me that I left on the table thinking maybe Roen and I would paint in the afternoon. But as soon as Roen came in she was very excited to find the smallest piece of dark charcoal and a small bit of eraser broken off of the eraser I have for making small lines. And before we could even sort out our coats and get settled she started in on making art. And me being me, ignored the mess potential of this discovery and just let her go for it. .It was not long before there was a classic “pandemic school” art project and mess happening. But the results were magical and it was clear Roen absorbed so much from the day at Mass College of Art and the MFA. And her work is a reminder to enjoy mark making when making art. The reason for Picasso’s comment about it taking a lifetime to learn to draw like a child is it is hard for us adults to just be in the moment, experiment and not be so attached to what we imagine will end up on the paper. Children engage in the dance I talk about in my artist statement. A call and response between a line made and a line being made.

Tangles

My interest in tangles goes back to when I was a small child sitting on my parent’s bed. One of my favorite activities was to untangle my mother’s chains and necklaces in her jewelry box. I always thought this interest would translate into mathematics and I would fall in love with topology. But the abstract language of pure mathematics was definitely not for me. I didn’t enjoy thinking that hard about non-tangible things.

When I did my yarn and charm bracelet drawings during the fall and winter of 2020/2021 when we were still mostly staying at home and waiting to get vaccinated. The world was at a turning point with the potential for political change as a result of the pandemic, But many were refusing to listen to the scientists and the science became twisted and manipulated in the hands of elocutionists who could manipulate it for their own benefit.

Last year, 2021/2022 I returned to making art at a time when there were both images from various weather/climate disasters and images of bombed buildings in Ukraine. I have always found ruins of modern buildings both horrifying and beautiful. On one hand when one looks at the image it is clear that lives have been forever altered. People have lost their shelter, their bed, the place they went to feel safe and comfortable. But at the same time modern homes are also containers for possessions and there is this liberating feeling to see this visual embodiment of the inevitable unraveling of the past generations of material excess: A sense of hope that destruction can lead to a reset.

The dried flowers are from Lindentree Farm and Drumlin Farm. Both organic farms where I have worked in the summer. Both farms that feed me and my family. The flowers start off as small bouquets and by August the table is filled with blossoms and color. I try to get a selection of flowers that can be dried and I hang those around the kitchen. Come October when the first frost has hit and there are no more fresh flowers I take newly dried flowers and refresh my old dried arrangements.

The money plant was collected in Bedford on my walks with the girls to and from the library. Each day this fall I would take a branch or two and put it in the bottom of the stroller. Now I realized that the money plant is the perfect symbol in my drawing the way we impose our petty material concepts onto beautiful natural things.. We like to think we are separate from nature in the four walls of our homes. Modern humans, at least in the West, tend to assume that everything will be OK despite our abuse of a planet that we know will change in a way that is not favorable for us if we continue to burn fossil fuels. After Chernobyl the natural world continued even though humans could no longer live there. And so it will be with the earth. Humans might not do so well with an increase in global temperature but other organisms will.


Ukraine, Davos and the pathology of the world right now

I heard on the radio that CEOs and the wealthy who are attending Davos are not concerned about the state of the global economy. Like the wealthy folks in the brilliant tv show “White Lotus” their money gives them the freedom to tune out the world’s problems. They can live in the bubble of the wealthy and ignore the dire climate emergency we are in, the war in Ukraine or the way capitalism is failing so many. It is almost comical how they all act as though a space ship is going to be built to save them and their families from all the planet wide disasters that are in the earth’s future if we do not just stop…STOP ADDING Carbon to the atmosphere. All that matters is that Chinese workers are back at work and their wealth can continue to grow despite everyone else’s wealth declining. I also learned listening to the radio as I walked today that some people like Kim Kardashian and other wealthy people are having their PPE Covid loans forgiven. How bold of them. And that most of the wealth gained during the first year of the pandemic went to the 1%. Which means that all those nurses and doctors and teachers and grocery store workers and delivery people and other’s who worked like crazy and risked their lives during the first year of the pandemic were just sacrificial slaves for the elite.

Last night we watched the protestors in Germany as they stood in freezing rain and walked through muddy fields as they attempted to prevent a village from being destroyed so a coal mine can be expanded. Greta was there and arrested. Meanwhile nature continues to send us signals that this warming thing is not going to be kind to humans. California’s torrential rains might seem like a blessing given the drought. But the volume of rain on ground as dry as concrete is causing floods and mudslides.

My conversation with Joel definitely helped me reset. He was right to point out the disconnect between what I want to say with my art and what I pinned on the walls. The result has been a return to the broken button/sewingbox but this time with my dried flowers from Drumlin and Lindentree Farms. The images or scene I set up reminds me of the destroyed buildings I see in Europe in winter. I included a photo from the NYTimes because the trees remind me of the tangles of dried flowers I am drawing. I also took his advice to work large and use my 18x24 pad…although the problem with large is if I decide to frame these it will cost a fortune. And stay tuned as I am off the hook for babysitting tomorrow and I am eager to see what happens when I approach this still life with color.

The trees in this sad photo from the NYTimes of a funeral procession in Ukraine reminds me of my dried flowers that I am drawing.

I returned to charcoal on a large sheet of 18x24 paper for these two drawings. I am thinking about going back trying a version using ink.

A reset

So I have been busy making “pretty” ink drawings of the many dried flowers I have. But I was frustrated with my ability to have them morph into something more than just pretty dried flower drawings. And every time I tried to bring in the dolls or scissors or any of my go-to vocabulary I use to express my feelings of concern about humanity and climate. I knew I needed help to figure out where I was going and what I needed to do to no longer feel stuck.

Yesterday I drove into Boston in the yucky slushy snow to see Joel in his studio for a 15 minute critique. It is so funny as soon as I walk into that building on Wareham street the musty smell makes me feel all warm and fuzzy and excited. Seeing Joel, was just what the doctor ordered. For some reason I threw in a charcoal drawing I did of the sewing box last spring and Joel hung it up alongside the flower pictures. We talked about how the flowers were all very frontal and there was not much depth in them. And I talked about how I wanted to create an image where the viewer was led into the darkness and tangles rather than the tangles being all up front. We talked about picture planes, size, color and where I was succeeding in creating that dark tangled mess in the back and where I was not. It was incredibly useful and I left eager to dig up my drawing board (Joel suggested I use a drawing board so I can work bigger) and my large pad and charcoal (using charcoal first just to see what happens). I have my work cut out for me but so far I am beyond excited to have charcoal smudges on my face and be working today….(I am off the hook for babysitting today due to illness in my daughter’s house).

Happy 2023

What a year!!! Covid is still around causing havoc. But so is the Flu and RSV. We managed to gather for Thanksgiving and everyone was well. It was a brief respite from the toddler/preschool illness treadmill our family is on. And it felt, as always so special to have all three kids, their partners, the grand girls and all four grandparents in one place at the same time. Two weeks later our son and family would visit so they could attend a concert while we babysat. For several weeks it seemed all I did was cook and clean and cook and play with the grandchildren. It did a number on my poor back.

I finally got a steroid shot for my back and it made me aware of how much the chronic pain was impacting me. I hope I can start the new year off moving and doing more than I have been doing.

Now I am back doing ink drawings. I keep saying I want to make a series of cards to use as gifts for my mom (who turns 85 this week) and for others. But as I know from years of experience the worst thing for me is to put pressure on myself to make something pretty.

Meanwhile I am experimenting with the ink. I have discovered an interesting technique where I draw with the alcohol ink on print making paper (which can handle getting wet repeatedly) and then wash it off. Light marks are left behind and so just as I enjoy drawing with charcoal and wiping away and redrawing over and over again…I can do it with the ink but in color. It is quite exciting. I almost gave up on the drawing pictured below but I just kept working it over and over again and then suddenly something emerged that I was happy with.

The gang…..all together for our annual couch photo. Not sure how it is going to work as those girls get bigger…LOL.

I am especially proud of this cake because it is egg free, nut free, soy free, dairy free, legume free…so sweet Nikko and her mom can eat it.

Continued ink experimenting and a questionable studio space

So the town of Cambridge has built a new multipurpose STEM and Art space called The Foundry. I still can not figure out who the board is and who is making the decisions for this space. They said they had available studio spaces available and the fee for them was flexible so I applied and was offered a space for 3 months for free. The building is on the other side of Cambridge so it is not exactly convenient, but I figured I would give it a try in hopes that I could potentially work bigger and messier than I can in our apartment.

The problem is I do not think they had a single working artist on the committee when designing the artist studio space. I could go on and on about the problems with this space. The actual room is lovely. But destroyed by a waist high divider that serves no purpose. There are shelves for materials but no spaces for vertical storage where one could put canvases or portfolios. There is a sink but no guidance about how to wash materials so as to not clog the sink. And the sink should theoretically be just a bit bigger with more space on the side. There is no designated wall to hang material on either. Unless people are doing small table size crafts the space is no more useful than my dining room table.

Still I am going to keep giving the space a try. During the week it seems nobody is there so I have the room to myself which allows for me to get into a quiet head space to work. This week I did not want to cart a ton of supplies. All I brought was some large paper, ink and some pens. Lately I have been focusing on mark making and being loose and trying to let go and experiment to help me get un-stuck. Since I like to draw from life and the only objects I had were my body parts I decided to just do an explore of hands and feet and phone selfies and reflections of myself in the glass

I was thinking of the following artists: Kara Walker, Larry Rivers and Mags Hambling. Could I be loose and somehow arrive at a page that is alive and tells a story of my being in this empty space drawing. My peers in critique group were very helpful in their observations. They pointed out that there is no variation in scale. Things seem to be on a grid (which could be good or not depending on what I want). We ended the discussion with the usual recommendation of “Do Another”. So hopefully I will.

But yesterday I didn’t want to leave the house. I was hoping to spend some time reading but I also wanted to make Flax Aquafaba to use when Ethan and Chris are here next weekend and experiment with seeing if I could make a dairy free, soy free, egg free gingerbread dough so Nikko could have some cutout gingerbread cookies. And I did!!! Between baking and boiling I drew the dried flowers again and ended up with the surprise drawing below. I think it will end up being a gift.

Experimenting and Peer Critique Group

I am so glad I have restarted our peer critique group. It definitely helps keep me motivated to push through when I am dealing with a creative block. And our discussions are always so interesting. We had a discussion about paper and somebody (I think it was Amy) mentioned that Wendy Artin (the savant-esque watercolorist/ink artist) sometimes uses printmaking paper when drawing with ink. I have some inexpensive reeves BFK paper left over from printmaking classes that I used for proofs. So I took a sheet and got my ink out and decided to tackle the dried flowers I have.

At the same time I was going back and looking at old photos of drawings Roen did when she was Maeve and Nikko’s age. Both girls are now enjoying mark making on paper and I still remember how much I treasured those early works of Roen’s. One time I included one of Roen’s images in my collection of work for our critique group and Joel used it to remind all of us about the importance of varying our marks. Remembering this comment I decided that in working with the ink and dried flowers I also would try my hardest to employ a range of mark making techniques in making my image.

The result is a loose somewhat abstract drawing that I have come to love.

I am hoping to do more of these drawings in the coming weeks.